Lose Today
Lose Today wields the ethereal meditative power leftover from The Velvet Undergroundâs Sweet Sister Ray epic bootleg. The result: a melodious somnolent grievance that leaves the listener to feast on a curiously endless and internal banquet. Young snarls and writhes in irritated spiraling pronouncements that trail off in regretful, pained fashion, producing the same eventual something-isnât-right that The Velvet Underground secured, but set aside to allow the Michigan basement bluesmen to borrow. Also, here is Youngâs virgin performance on bass, a venture that proves suiting as his sparse yet stable meanderings are the backbone to a jam lost in the arcane. At times the bass lines seem to be counting off the seconds until an eventual meltdown. Meanwhile, Olson wanders off on woodwinds, seemingly tangled in wavelengths, letting his own sounds guide him through a brassy chilling darkness. He follows scalesâIndian scales, blues scalesâthough the subtlety of Olsonâs discipline fosters to an expansive intimacy, a nuance so massive his quips on flute and saxophone are the secret architects of Lose Todayâs meditation. Olson takes the spiraling mania inspired by the likes of The VUâs Sweet Sister Ray lose-all jam and lets it blossom into a soundtrack for a secret think tank whose sole purpose is to maintain a shadowed fire.
Original: $15.00
-65%$15.00
$5.25
Description
Lose Today wields the ethereal meditative power leftover from The Velvet Undergroundâs Sweet Sister Ray epic bootleg. The result: a melodious somnolent grievance that leaves the listener to feast on a curiously endless and internal banquet. Young snarls and writhes in irritated spiraling pronouncements that trail off in regretful, pained fashion, producing the same eventual something-isnât-right that The Velvet Underground secured, but set aside to allow the Michigan basement bluesmen to borrow. Also, here is Youngâs virgin performance on bass, a venture that proves suiting as his sparse yet stable meanderings are the backbone to a jam lost in the arcane. At times the bass lines seem to be counting off the seconds until an eventual meltdown. Meanwhile, Olson wanders off on woodwinds, seemingly tangled in wavelengths, letting his own sounds guide him through a brassy chilling darkness. He follows scalesâIndian scales, blues scalesâthough the subtlety of Olsonâs discipline fosters to an expansive intimacy, a nuance so massive his quips on flute and saxophone are the secret architects of Lose Todayâs meditation. Olson takes the spiraling mania inspired by the likes of The VUâs Sweet Sister Ray lose-all jam and lets it blossom into a soundtrack for a secret think tank whose sole purpose is to maintain a shadowed fire.
