BITS
BITS is album number four for Brooklynâs Oxford Collapse, but itâs a first for them in many ways. Some of those ways will be immediately apparent to those of you whoâve followed their raucous, boyish exploits since their 2006 Sub Pop debut Remember the Night Parties, or from their earlier efforts. Their charming lack of guile, combined with a capable and focused aim towards the better of the â80s college-rock cognoscenti and Trouser Press favorites, has made for music that has found its way into backyards and across rooftops all over the city. Recorded in chunks throughout 2007 with Eric Emm at the Brothers Studios, and Chad Matheny in spaces all over town, BITS corrects for time and experience, and shows a band artistically riding its own peaks. The tension is still present in their three-way interplay (listen to them firing off of each other, squealing out of control at the end of âBack of the Yardsâ) but the direction and presence in this set is open, flowing against anything theyâve done before. Itâs the sound of fun turning into purpose, of a great band writing and playing their best songs, and knowing how great that feels. This is the new Oxford Collapse, as a band and as a record: straightforward; memorable; mature, but not necessarily grown-up; just better. Itâs all heart and ingenuity, the joyous racket that connects C86 pop to the present, made by three guys who are realizing that they can be mayors.
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Description
BITS is album number four for Brooklynâs Oxford Collapse, but itâs a first for them in many ways. Some of those ways will be immediately apparent to those of you whoâve followed their raucous, boyish exploits since their 2006 Sub Pop debut Remember the Night Parties, or from their earlier efforts. Their charming lack of guile, combined with a capable and focused aim towards the better of the â80s college-rock cognoscenti and Trouser Press favorites, has made for music that has found its way into backyards and across rooftops all over the city. Recorded in chunks throughout 2007 with Eric Emm at the Brothers Studios, and Chad Matheny in spaces all over town, BITS corrects for time and experience, and shows a band artistically riding its own peaks. The tension is still present in their three-way interplay (listen to them firing off of each other, squealing out of control at the end of âBack of the Yardsâ) but the direction and presence in this set is open, flowing against anything theyâve done before. Itâs the sound of fun turning into purpose, of a great band writing and playing their best songs, and knowing how great that feels. This is the new Oxford Collapse, as a band and as a record: straightforward; memorable; mature, but not necessarily grown-up; just better. Itâs all heart and ingenuity, the joyous racket that connects C86 pop to the present, made by three guys who are realizing that they can be mayors.
