The Lucky Ones
Worldwide lovers of the finer things are rejoicing at the news that Mudhoney, yep Mudhoney, is back in action in 2008 with The Lucky Ones, the bandâs eighth full album in a mere 20 years of triumphant rocking. Deliberately and aggressively raw, The Lucky Ones sounds as lean and as full-on as any modern equivalent one cares to mention. Recorded in a scant 3.5 days (including overdubs) with Tucker Martine (who also recorded four songs on the previous album, Under a Billion Suns), Mudhoney went in armed with a batch of new material expecting to spend a fair amount of time getting it right. Bangâand bang again after some mixingâand a new album was birthed in record time, faster than anything else the bandâs done to date. The grand majority of these numbers were intentionally written âfrom the rhythm upâ instead of from the riff and the lyrics down. The effect is to thrust out the bottom-end rumble of drummer Dan Peters and bassist Guy Maddison, and to bring about a cohesive whole not entirely ruled by the almighty riffâalthough you certainly donât have to look hard to find âem. Opening The Lucky Ones, the band defiantly looks twenty years of heaviness and critical hosannas in the eye and spits out the anthemic "Iâm Now," an existential place where âthe past makes no sense, the future looks tense.â Finding eager new converts locked firmly in the present whoâll agree should not prove difficult.
Pitchfork on The Lucky Ones and Superfuzz Bigmuff: Deluxe Edition
Dusted on The Lucky Ones
Tiny Mix Tapes on The Lucky Ones
The Onion A.V. Club review of The Lucky Ones


Description
Worldwide lovers of the finer things are rejoicing at the news that Mudhoney, yep Mudhoney, is back in action in 2008 with The Lucky Ones, the bandâs eighth full album in a mere 20 years of triumphant rocking. Deliberately and aggressively raw, The Lucky Ones sounds as lean and as full-on as any modern equivalent one cares to mention. Recorded in a scant 3.5 days (including overdubs) with Tucker Martine (who also recorded four songs on the previous album, Under a Billion Suns), Mudhoney went in armed with a batch of new material expecting to spend a fair amount of time getting it right. Bangâand bang again after some mixingâand a new album was birthed in record time, faster than anything else the bandâs done to date. The grand majority of these numbers were intentionally written âfrom the rhythm upâ instead of from the riff and the lyrics down. The effect is to thrust out the bottom-end rumble of drummer Dan Peters and bassist Guy Maddison, and to bring about a cohesive whole not entirely ruled by the almighty riffâalthough you certainly donât have to look hard to find âem. Opening The Lucky Ones, the band defiantly looks twenty years of heaviness and critical hosannas in the eye and spits out the anthemic "Iâm Now," an existential place where âthe past makes no sense, the future looks tense.â Finding eager new converts locked firmly in the present whoâll agree should not prove difficult.
Pitchfork on The Lucky Ones and Superfuzz Bigmuff: Deluxe Edition
Dusted on The Lucky Ones
Tiny Mix Tapes on The Lucky Ones
The Onion A.V. Club review of The Lucky Ones













