Nothing Is Precious Enough for Us
This collection of music was written and sung by Joel Thibodeau. It is unlike anything youâve ever heard. People will call it many things. Few will get it right. This is Death Vessel.
Death Vesselâs debut album Stay Close was released in 2005 to critical acclaim. Since that albumâs release Death Vessel has toured with Iron & Wine, Low, Jose Gonzalez, and The Books, among others. Recorded with longtime producer/collaborator Pete Donnelly (The Figgs) at his New Jersey studio, and various locales across the northeast, Nothing Is Precious Enough for Us is Death Vesselâs Sub Pop debut. While in recent years Joel has toured primarily as a solo performer, and the songs are inarguably mesmerizing and relevant in that setting, on record they take on a new life, thanks to his and Donnellyâs inspired, and often unusual, arrangements, and the contributions of numerous friends and players. The album exudes a unique, wide-scope ambition. Its musical reach is fully extendedâ-deep into the past, grounded in the present and nodding to the future. Owing to the gritty avarice of Joelâs singular spirit, voice and musicality, the songs sound as progressive, experimental and modern as they do antique and old-world. The music is haunting and spiritual, mysterious and kind, ageless and contemporary, soulful and psychedelic. In short, itâs where the requiem meets rock ânâ roll.
âNow I am versed in silence/my throat hurts, not from yelling but from holding back,â Joel sings on âBlock My Eye,â the albumâs opening track. And thatâs ok, because the music speaks for itself. And nothing ever sounded so loud, and so clear.
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Description
This collection of music was written and sung by Joel Thibodeau. It is unlike anything youâve ever heard. People will call it many things. Few will get it right. This is Death Vessel.
Death Vesselâs debut album Stay Close was released in 2005 to critical acclaim. Since that albumâs release Death Vessel has toured with Iron & Wine, Low, Jose Gonzalez, and The Books, among others. Recorded with longtime producer/collaborator Pete Donnelly (The Figgs) at his New Jersey studio, and various locales across the northeast, Nothing Is Precious Enough for Us is Death Vesselâs Sub Pop debut. While in recent years Joel has toured primarily as a solo performer, and the songs are inarguably mesmerizing and relevant in that setting, on record they take on a new life, thanks to his and Donnellyâs inspired, and often unusual, arrangements, and the contributions of numerous friends and players. The album exudes a unique, wide-scope ambition. Its musical reach is fully extendedâ-deep into the past, grounded in the present and nodding to the future. Owing to the gritty avarice of Joelâs singular spirit, voice and musicality, the songs sound as progressive, experimental and modern as they do antique and old-world. The music is haunting and spiritual, mysterious and kind, ageless and contemporary, soulful and psychedelic. In short, itâs where the requiem meets rock ânâ roll.
âNow I am versed in silence/my throat hurts, not from yelling but from holding back,â Joel sings on âBlock My Eye,â the albumâs opening track. And thatâs ok, because the music speaks for itself. And nothing ever sounded so loud, and so clear.













